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• Sales Rank: #952136 in Books
• Brand: Brand: Jones Bartlett Learning
• Published on: 2011-09-15
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .90" h x 8.50" w x 10.80" l, 2.73 pounds
• Binding: Paperback
• 397 pages

Features

• Used Book in Good Condition

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0 of 0 people found the following review helpful.
Flash cards were the best
By Justin Parker
I'm not going to lie, I read some of the first chapter of this book but primarily just used the tear out flashcards in the back to review rhythms. I use this book with a class so it wasn't necessary for me to read the entire book. So I guess I paid all that money for some flashcards but they were absolutely good flashcards to review rhythms that I would be tested on.

0 of 0 people found the following review helpful.
Warning: If it is an important class for your profession. Do NOT order from this sales route.
By Cecilia Quinonez
I received the book with an entire section torn out of the book. Worse I really need this text for an up coming class I am registered for.

0 of 0 people found the following review helpful.
Great book
By Kay
Book came in plenty of time for me to read 90% of it before my class started. Very good book. 100% satisfied. Thank you!

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• Sales Rank: #1902173 in Books
• Brand: Holt, Rinehart and Winston
• Published on: 1981-06
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
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• 688 pages

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• Sales Rank: #115660 in eBooks
• Published on: 2013-06-12
• Released on: 2013-06-12
• Format: Kindle eBook

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Five Stars
By KP Lee
GOOD!

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Akira Kurosawa (1910-1998) moved with ease and mastery from the mysterious and internal to the spectacular and panoramic. Kurosawa was a man of all genres and all periods, bridging the traditional and the modern, the old and the new, the East and the West. He had a flair for fusing Western literature with elements from his native Kabuki theater. Ran retells King Lear as a samurai tale; Throne of Blood retells Macbeth; Hakuchi adapts Fyodor Dostoevsky\'s The Idiot as a tale set in northern Japan.

Kurosawa became the first Japanese director widely known in the West when his Rashomon won the top prize at the Venice Film Festival in 1951. His film techniques and storytelling innovations have greatly influenced European and American film, particularly westerns.

Because of his ability to control all aspects of film production and to maintain artistic control on almost all of his projects, Kurosawa was known throughout Japan as \"the Emperor.\" Ranging from 1952 to the mid-1990s, this collection includes an interview by Lillian Ross, a conversation with Gabriel García Márquez, and a previously unpublished interview with the book\'s editor.

Bert Cardullo is professor of American culture and literature at Ege University, in Izmir, Turkey. He is the author of In Search of Cinema: Selected Writings on International Film Art and Vittorio De Sica: Director, Actor, Screenwriter.

• Sales Rank: #1591041 in Books
• Published on: 2007-12-01
• Original language: English
• Number of items: 1
• Dimensions: .70" h x 6.00" w x 8.96" l, .84 pounds
• Binding: Paperback
• 194 pages

From the Publisher
This book

---Collects interviews with the master director of Rashomon, The Seven Samurai, Yojimbo, Ran, Ikiru, and Throne of Blood
---Features interviews from the New Yorker, the New York Times,Sight and Sound, and other fine periodicals
---Expands the Conversations with Filmmakers Series

From the Inside Flap
Interviews with the first Japanese director widely known in the West after his Rashomon won the top prize at the Venice Film Festival in 1951

About the Author
Bert Cardullo is Professor of American Culture and Literature at Ege University in Turkey. He is also the author of a number of film-related books

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5 of 5 people found the following review helpful.
Various Lenses Focussed on Kurosawa
By Samurai Girl
The interviews collected by Bert Cardullo in "Akira Kurosawa Interviews" give us various lenses and filters through which the great director's works were seen, over a fairly decent period of time. We have Japanese filmmaker interviewers, American critics, A Latin American novelist interviewer, and Bert Cardullo himself. We have the very respectful, the respectful but inquisitive, the annoyingly self-absorbed (you'll know it when you read it...a tipoff is that, after the most pompously convoluted question Kurosawa laughs...)and the one mind that provokes a real emotional response from Kurosawa.

That's a nice survey! You will hear many stories repeated (I begin to think that Kurosawa relied heavily on some basic themes drawn from his experience, and reiterated in his work with Audie Bock:"Something Like an Autobiography" and nearly word-for-word in Cardullo's final interview in the book) but, despite the repetition, new stuff is intermixed, and quite fascinating for Kurosawa fans and scholars.

Goes on the Kurosawa bookshelf.

2 of 2 people found the following review helpful.
GOOD REFERENCE BOOK
By Cesar Diaz
This title is part of a series edited by the University Press of Mississippi, and as I've already reviewed one of the other titles, I'll just say this one is good as usual, but it still lacks the depth of Kurosawa's own "Something Like An Autobiography". The good thing is, his autobiography stops right when he becomes an international director, because he considers unnecessary to tell what people might already know. This book covers a longer span, up until Kurosawa's last "Madadayo". There's nothing wrong with this book, but if you really want to know about Kurosawa, and not just about the way he made films, you'd better start by the autobiography. Then, read this one.

4 of 4 people found the following review helpful.
Conversations with a master
By Isabel Hunter
Akira Kurosawa: Interviews.

I recommend this book unreservedly to anybody interested in film. In conversation with knowledgeable and distinguished interviewers Kurosawa gives detailed insights into how he works: how every stage of a film is exhaustively discussed beforehand by all its participants and the Director himself; how unplanned factors such as the weather can contribute to episodes of unforgettable beauty and mystery in the finished film; his refusal to be regarded as a philosopher, let alone a preacher ('I look at life as an ordinary man. I simply put my feelings into the film'); his passionate interest in, and extraordinary knowledge of Japanese history, of the social and military life of the given period; of how his early training as a painter has informed his perceptions and his methods.
Apart from all that we learn about Kurosawa's work, the book is full of insights into recent Japanese history and contemporary society, including, of course, Japanese cinema.
Kurosawa's speech is engagingly fresh and energetic, and despite his great fame he seems to be utterly without self-importance.

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• Sales Rank: #1008905 in Books
• Brand: Brand: Palgrave Macmillan
• Published on: 2012-07-17
• Released on: 2012-07-17
• Original language: English
• Number of items: 1
• Dimensions: 9.84" h x 1.11" w x 7.52" l, 2.80 pounds
• Binding: Paperback
• 672 pages

Features

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Review
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About the Author
JOHN BRATTON Professor of Sociology at Thompson Rivers University, Kamloops, Canada, and Visiting Professor at Edinburgh Napier University, UK.
JEFF GOLD Professor of Organization Learning at Leeds Metropolitan University, UK.

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By College Stealth
This is a book written for a UK market. It presents a wide variety of HR theories and practices, but it is limited in how well it actually explains the concepts. It seems to jump around a lot and does not give clear definitions of a lot of terms. It spends a lot of time on sustainable practices, which is nice, but they do not give as much of a drill down in other areas; especially labor issues.

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[C328.Ebook] Download PDF Margaret Cavendish: Observations upon Experimental Philosophy (Cambridge Texts in the History of Philosophy), by Margaret Cavendish

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Margaret Cavendish's Observations upon Experimental Philosophy holds a unique position in early modern philosophy. Cavendish rejects the picture of nature as a grand machine that was propounded by Hobbes and Descartes; she also rejects the alternative views of nature that make reference to immaterial spirits. Instead she develops an original system of organicist materialism, and draws on the doctrines of ancient Stoicism to attack the tenets of seventeenth-century mechanical philosophy. Her treatise is a document of major importance in the history of women's contributions to philosophy and science.

• Sales Rank: #5656083 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2001-11-12
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .83" w x 5.98" l, 1.40 pounds
• Binding: Hardcover
• 338 pages

Features

• Used Book in Good Condition

Review
"Eileen O'Neill's edition of the 1668 edition of this text (the first was printed in 1666) will go a long way to making Cavendish accessible to a modern audience. O'Neill's edition of the Observations is textually impeccable." Isis

"This is a significant, and welcome addition to scholarship." Philosophy in Review

About the Author
Margaret Cavendish, Duchess of Newcastle, was the first Englishwoman to publish a large body of literary and philosophical work in her own lifetime.

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8 of 8 people found the following review helpful.
For Modern Philosophy Afficianados Only!
By Katherine Katsenis
Eileen O'Neill's annotated, unabridged edition of Margaret Cavendish's Observations on Experimental Philosophy, (part of the Cambridge Texts in the History of Philosophy Series), is a solid contribution to the history of metaphysics. It has not appeared in print since its second edition in 1668. While considerable work on Cavendish as a literary writer, e.g. her letters, poems and plays, has been done in recent years, less has been done on her work in metaphysics. O'Neill's labors will undoubtedly change this fact. This modern edition makes this work accessible to scholars in the history of philosophy and philosophy of science. It offers critical annotations which situate and clarify this work for the modern scholar, although it may be the case that not enough is said about Cavendish's reliance upon the Scholastics. However, O'Neill does a more than respectable job cross-referencing Cavendish's philosophical arguments with classic specialists of the period in philosophy of science. Readers can look forward to a helpful bibliography as well.

O'Neill's 26 page introduction details Cavendish's political and social environment so that not only her philosophical contributions are reconstituted, but also the historical circumstances surrounding them. Cavendish represents one of many female writers in the mid-seventeenth century, but is the only one to publish works in philosophy under her own name. Thus Cavendish is an important figure on several fronts. Philosophically she outlines a system of natural philosophy, which rejects Aristotle, Hobbes and Descartes. Religiously, she proposes an atheistic system of nature and politically, she calls for a platform which includes women as cognitive, rational contributors to the problems of science and philosophy. This edition of Observations will appeal to all respective disciplines.

The strength of O'Neill's introduction is her discussion of the Stoic influences on Cavendish. O'Neill has done her research to this end. While her brief overview assumes a learned fluency with this era of philosophy, and remains silent about many aspects of the Observations it can still be useful for the disciplined novice. O'Neill is able to delineate how Cavendish's materialist system of nature, with its reliance upon animate, self-moving, non-divisible bodies harkens back to Stoicism. Further, she previews concepts which mature in Cavendish's writings and carry less resemblance to Stocism such as her bifurcation of the Stoics "active principle" into the "sensitive" and the "rational". The introduction also cashes out Cavendish's primary objections to Epicurean Atomism, and her reservations regarding a mechanistic account of natural change. O'Neill takes great care with this latter issue and sets out Cavendish's main arguments. If the introductory essay lacks for anything, it is a discussion about the scholastic influences on Cavendish. The format of the Obervations is clearly reminiscent of Aquinas' Summa, with the problem-response-objection-counter response style, yet no real mention of this fact is made. However, O'Neill does not ignore this issue as is illustrated in the several footnotes which allude to the Schoolmen.

O'Neill offers good footnotes with references to figures such as Hobbes, Boyle, Aristotle, Power, Bacon, Descartes and Hooke. Often, the references are to lesser known works by these authors. Thus, it is clear that serious Cavendish scholars will need to be especially familiar with these works. In this regard, O'Neill tends to offer more detailed and frequent annotations in the sections of Cavendish's work which consider issues in early modern philosophy of science and Atomism, than she does in the considerable section Cavendish spends on the issue of the problem of perception. There is no question that this well researched, documented and annotated edition will allow the labors of Cavendish to be revisited and her voice to once again be heard.

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[E316.Ebook] Fee Download Beowulf: A Prose Translation (Penguin Classics)paperback, by Anonymous

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The greatest surviving Old English poem rendered into modern prose

Beowulf stands at the head of English literature; a poem of historical interest and epic scope. Although the first manuscript of Beowulf dates from around the year 1000 CE, it is thought that the poem existed in its present form from the year 850. Beowulf's adventures themselves stand in front of the wide historical canvas of 5th and 6th century Scandinavia. Against this heroic background of feuding and feasting, Beowulf first kills the monster Grendel and her mother, and later defends his people against a dragon in a battle that leaves them both mortally wounded.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

• Sales Rank: #415221 in Books
• Published on: 1957-05-30
• Released on: 1957-05-30
• Original language: English
• Number of items: 1
• Dimensions: 7.70" h x .30" w x 5.00" l, .25 pounds
• Binding: Paperback
• 128 pages

About the Author
Michael Alexander (translator) is Berry Professor of English Literature at the University of St Andrews. He has translated The Earliest English Poems, The Canterbury Tales: The First Fragment, and Beowulf for Penguin.

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10 of 12 people found the following review helpful.
best translation i've read
By A Customer
My professor recomended this translation to me, and even as a novice in medieval studies, I still think it is far better than what I read in high school. Wright offers fascinating historical information at the beginning and termination of the story that give the non professional reader good insights and background on the implications and circumstances surrounding obscure events in the plot. A reader can walk away with both a great story and a better understanding of the complex time called the Dark Ages.

9 of 11 people found the following review helpful.
A terrific prose translation
By R. D. Allison (dallison@biochem.med.ufl.edu)
David Wright has provided the reader with an excellent prose translation of the oldest known epic of any Teutonic people and the first important poem in Old English. It deals primarily with two central events in the life of the Geatish hero Beowulf. The first is concerned with his victory over the monster Grendel who had been attacking Heorot, the mead hall of the Danish king Hrothgar (John Gardner published a novel, "Grendel", in 1971, that takes Grendel's side in the story). The next day, Beowulf slays Grendel's mother who is attempting to try and avenge her son. In the second major event, taking place fifty years later, Beowulf fights a dragon; both are mortally wounded. Hygelac, King of the Gelts, is identified with the historical Chochilaicus, who raided the lower Rhine about 512 A. D. A young Beowulf was in that raid. When Chochilaicus was killed in a battle with the Franks about 520, he was succeeded by his son Heardred. This poem shows the importance, in a warrior society, of the relationship between the warrior and his lord. The poem, even though it contains threads of Christian commentary, is also concerned with the pagen view of immortality: the memory of a warrior's heroic acts. Also: that fate can be swayed by courage. "Fate often saves an undoomed man when his courage is good."

12 of 16 people found the following review helpful.
Epic Poem Becomes Clumsy Narrative
By Ryan Campbell
This is an extremely poor translation of Beowulf for anyone who wants more than just a narrative summary. Wright has, by his own admission, eliminated most of the poetic language from the original poem. The poetic, metaphor-like kennings seemed to him puzzles and word games which barred the reader from the real meanings of the narrative. The appositives used in place of actual names and pronouns he found "long-winded," and the poetic descriptions pretentious. Wright, apparently believing readers not intelligent enough to understand creative language, has given us a translation of Beowulf in the form of highly simplified prose, with few poetic descriptions or language that will "distract the reader" from the narrative. What remains is a clumsy, awkwardly worded translation which offers little to replace the poetry Wright has hacked out of it. Any lover of language will be deeply disappointed by this translation.

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